Abstract
Since the turn of the millennium, many of us spend a significant amount of time in the virtual space generated by the networks and the electronic and audiovisual devices associated with telecommunication. The material composition of this system is so elusive that we can only characterize it using the image of the “cloud.” We present a body of work that seeks to glimpse or suggest some of its actual characteristics, employing techniques drawn from architecture and the visual and sound arts. We relate these exercises to the concept of electroclimate —drawing on what Bachelard calls the “imagination of matter”—and explore their visual and aural aspects (the perceptible fringes of the radio spectrum) through photography, digital graphics, video, and installations that emphasize experimentation with matter and sound.
References
Bachelard, Gaston. El agua y los sueños. Ensayo sobre la imaginación de la materia. Traducido por Ida Vitale. México: Fondo de Cultura
Económica, 2011.
Barrios, José Luis. Rafael Lozano-Hemmer: algunas cosas pasan más veces que todo el tiempo. Madrid: Turner, 2007.
Davis, Erik. TechGnosis: Myth, Magic and Mysticism in the Age of Information. Nueva York: North Atlantic Books, 1998.
Dune, Anthony y Fiona Raby. Hertzian Tales: Electronic Products, Aesthetic Experience and Critical Design. Cambridge: The mit Press, 2006.
Jenny, Hans. Cymatics: wave phenomena, vibrational effects, harmonic oscillations, with their structure, kinetics and dynamics. Basilea:
Basilius Presse, 1974.
Sánchez, Marcos, Mark Wasiuta y Adam Bandler. “House Arrest”, Art Lies 68 (2011): 42.
Varoufakis, Yanis. Tecnofeudalismo: el sigiloso sucesor del capitalismo. Bilbao: Deusto, 2024.

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2026 Universidad Nacional Autónoma de México

